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Johnny Cash - Personal File (2006) [FLAC]

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Description

 							 AllMusic Review by Thom Jurek
  
  This double-disc collection of unreleased material from Legacy is
a rare thing. These tapes are not dead dog files from Columbia's vaults. Instead, they contain songs Johnny Cash cut at
his home studio in Hendersonville, TN between July of 1973 and December of 1983. While closing down the House of Cash
studio, museum, and store, John Carter Cash invited Steve Berkowitz and some colleagues to sort through the material and
tapes housed in Cash's personal vault. They found some tidy white tape boxes marked "Personal File"; these are those
tapes. Some of the songs here are traditional and spiritual songs Cash sang as a boy, or heard from his companions. He
tells stories to introduce many of the tunes, and these recollections become as important as the songs themselves. When
he introduces "Far Away Places," he tells a story about one of his first talent contests (he got only two votes) and
reveals that his selection of material cost him first place. You can hear the memories, painful and hopeful, float back
through his delivery, spoken and sung. His reading of "Saginaw, Michigan" contains no peremptory tale, but the song says
it all, and Cash brings the tune's tragic narrative to life in the listener's present. Likewise, three other
Northern-themed numbers -- "When It's Springtime in Alaska" "Girl from Saskatoon" (co-written with Johnny Horton), and a
devastating read of Robert Service's poem, "Cremation of Sam McGee" add to this narrative. "It's All Over" is an
original that comes from Cash's early days but was never recorded properly. There are also covers of tunes by the Louvin
Brothers, John Prine, Doug Kershaw, Rodney Crowell, and Carlene Carter. Disc two is primarily made up of devotional
songs; they range from well-known hymns -- "Lily of the Valley," "Farther Along," and "The Way Worn Traveler" -- to
provocative tunes of unknown origin -- "If Jesus Ever Loved a Woman (It was Mary Magdalene)." There are gorgeous
original songs such as "No Earthly Good," "What Is Man?," and the track Greil Marcus bases his liner notes on, "A Half a
Mile a Day." Both the original and historical songs become the stuff of myth and pathos (instead of quaint, dusted-off
reflections from musical history) as we eavesdrop on Cash's voice; he delivers them from ashes with his authority as an
artist because he couldn't help but do that. Cash recorded the cover tunes, folk songs, and hymns because they meant
something to him; he cut the songs he wrote in order to simply not forget them. Personal File is a slice of musical
autobiography cut in a setting of solitude for the sake of getting documenting it audio-journal style. For Cash fans,
this is simply essential listening. 						

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